Language and literature
Main articles: Languages in Bihar and Literature in Bihar
See also: Angika, Bhojpuri, Magadhi, Maithili language, Magadhi Prakrit, Hindi in Bihar, and Urdu Language in Bihar
Hindi and Urdu are the official languages of the state (recently Maithili is also included as one of the official languages of the state, although the usage of the language for official purposes is negligible), while the majority of the people speak one of the Bihari languages- Bhojpuri or Magadhi. Presently Bihari languages are considered one of the five subgroups of Hindi; however, Maithili was declared a separate language. However, these are considered to be derived from the language of the erstwhile Magadha state - Magadhi Prakrit, along with Bengali, Assamese, and Oriya. Bihari Hindi, a slang form of Standard Hindi, is used as a lingua franca and many speak it as their first language throughout the state. A small minority also speak Bengali, mainly in big districts or along the border area with West Bengal. Many Bengali speakers are people from West Bengal or Hindu people from erstwhile East Pakistan who immigrated during thePartition of India in 1947. Though Urdu and Bihari languages may relate to each other, however they are different in many ways. Few words in Bihari language sounds same as they are spoken in Urdu; e.g. Sulf-nazuk in Bihari is Sinf-e-Nazuk in Urdu. Also, masculine and feminine words are often not clear in Bihari language as these are in Urdu.
In spite of the large number of speakers of Bihari languages, they have not been constitutionally recognized in India. Hindi is the language used for educational and official matters in Bihar.[100] These languages were legally absorbed under the subordinate label of 'HINDI' in the 1961 Census. Such state and national politics have created conditions for language endangerment.[101]
The first success for spreading Hindi occurred in Bihar in 1881, when Hindi displaced Urdu as the sole official language of the province. In this struggle between competing Hindi and Urdu, the potential claims of the three large mother tongues in the region - Magahi,Bhojpuri and Maithili were ignored. After independence Hindi was again given the sole official status through the Bihar Official Language Act, 1950.[102] Urdu became the second official language in the undivided State of Bihar on 16 August 1989.
The relationship of Maithili community with Bhojpuri and Magahi communities – the immediate neighbors have been neither very pleasant nor very hostile. Maithili has been the only one among them which has been trying to constantly deny superimposition of Hindi over her identity. As of now Maithili is a separate language that uses Devanagari as the writing script rather than its own scriptMithilakshar due to lack of the development of the printing press and also due to ignorance. The other two have given up their claims and have resigned to accept the status of dialects of Hindi.
Bihar has produced a number of writers and scholars, including Mahamahopadhyaya Pandit Ram Avatar Sharma, Dr.Bhagwati Sharan Mishra, R. K. Sinha, Raja Radhika Raman Singh, Shiva Pujan Sahay, Divakar Prasad Vidyarthy, Ramdhari Singh 'Dinkar', Ram Briksh Benipuri, Phanishwar Nath 'Renu', Pandit Nalin Vilochan Sharma, Gopal Singh "Nepali", Baba Nagarjun, Mridula Sinha, and Pankaj Rag.Mahapandit Rahul Sankrityayan, the great writer and Buddhist scholar, was born in U.P. but spent his life in the land of Lord Buddha, i.e., Bihar. Hrishikesh Sulabh is the prominent writer of the new generation. He is short story writer, playwright and theatre critic. Arun Kamal and Aalok Dhanwa are the well-known poets. Different regional languages also have produced some prominent poets and authors. Sharat Chandra Chattopadhyay, who is among the greatest writers in Bangla, resided for some time in Bihar. Of late, the latest Indian writer in English, Upamanyu Chatterjee also hails from Patna in Bihar. Devaki Nandan Khatri, who rose to fame at the beginning of the 20th century on account of his novels such as Chandrakanta and Chandrakanta Santati, was born in Muzaffarpur, Bihar. Vidyapati Thakur is the most renowned poet of Maithili (c. 14-15th century).
Interestingly, the first Indian author in English was a Bihari, Deen Mohammad. Among the contemporary writers in English Amitava Kumar, Tabish Khair and Siddharth Choudhary are important names. Siddharth Choudhary has been shortlisted for 2009 Man Asian Literary Prize for his book Day Scholar. Bihar has also made important contributions to Urdu literature. Shad Azimabadai, Nasikh, Jamil Mazhari and Mazhar Imam as eminent poets; Suhail Azimabadi, Akhtar Orenivi, Shaukat Hayat and Shamoel Ahmed as short story writers; and Paigham Afaqui (novel Makaan), Abdus Samad (novel Do Gaz Zameen), Husainul Haque (novel Farat), Ilyas Ahmed Gaddi (novel Fire Area) enjoy special place in global literature.
The literary and cultural movement Bhookhi Peedhi, or 'Hungry generation', was launched from Bihar's capital in November 1961 by two brothers, Samir Roychoudhury and Malay Roy Choudhury. The movement impacted most of the Indian languages of the time.
Urdu is second government language in Bihar which is the mother tongue of Muslims who form about 17% of state's population. Near 25% people in Bihar read and write Urdu. Bihar has produced many Urdu scholars, such as Shaad Azimabadi, Jamil Maz'hari, Khuda Baksh Khan, Maulana Shabnam Kamali, Bismil Azimabadi (poet known for the patriotic ghazal "Sarfaroshi ki tamanna ab hamare dil mein hai"), Kaif Azimabadi, Rasikh Azimabadi, and in these days, Kalim Aajiz.
[edit]Arts and crafts
See also: Madhubani art
Madhubani painting is a style of Indian painting practiced in the Mithila region of Bihar. Tradition states that this style of painting originated at the time of the Ramayana, when King Janakcommissioned artists to do paintings at the time of marriage of his daughter, Sita, to Lord Ram. The painting was traditionally done on freshly plastered mud wall of huts, but now it is also done on cloth, hand-made paper and canvas. Madhubani painting mostly depict nature and Hindu religious motifs, and the themes generally revolve around Hindu deities like Krishna, Ram, Shiva,Durga, Lakshmi, and Saraswati. Natural objects like the sun, the moon, and religious plants liketulsi are also widely painted, along with scenes from the royal court and social events like weddings. Generally no space is left empty. Traditionally, painting was one of the skills that was passed down from generation to generation in the families of the Mithila Region, mainly by women. The painting was usually done on walls during festivals, religious events, and other milestones of the life-cycle such as birth, Upanayanam (Sacred thread ceremony), and marriage.
Manjusha Kala or Angika Art is an art form of Anga region of Bihar. Notably artist Jahar Dasguptaborn in Jamshedpur, Bihar which is presently under state Jharkhand.
Patna School of Painting or Patna Qalaam, some times also called Company painting, offshoot of the well-knowMughal Miniature School of Painting flourished in Bihar during early 18th to mid 20th century. The practitioners of this art form were descendants of Hindu artisans of Mughal painting who facing persecution from the Mughal Emperor, Aurangzeb found refuge, via Murshidabad, in Patnaduring late 18th century. They shared the characteristics of the Mughal painters, but unlike them (whose subjects included only royalty and court scenes), the Patna painters also started painting bazaar scenes. The paintings were executed in watercolours on paper and on mica. Favourite subjects were scenes of Indian daily life, local rulers, and sets of festivals and ceremonies. Most successful were the studies of natural life, but the style was generally of a hybrid and undistinguished quality. It is this school of painting that formed the nucleus for the formation of the Patna Art School under the leadership of Shri Radha Mohan. College of Arts and Crafts, Patna is an important centre of fine arts in Bihar.
The artisans of Bihar have been very skillful in creating articles using local materials. Baskets,cups and saucers made from bamboo-strips or cane reed are painted in vivid colors are commonly found in Bihari homes. A special container woven out of Sikki Grass in the north, the "pauti", is a sentimental gift that accompanies a bride when she leaves her home after her wedding. The weavers of Bihar have been practicing their trade for centuries. Among their products in common use are the cotton dhurries and curtains. They are produced by artisans in central Bihar, particularly in the Patna and Biharsharif areas. These colourful sheets, with motifs of Buddhist artifacts, pictures of birds, animals, and/or flowers, gently wafting in the air through doors and windows, blown by a cool summer breeze, used to be one of the most soothing sights as one approached a home or an office. Bhagalpur is well known for its seri-culture, manufacture of silk yarn and weaving them into lovely products. It is known as the tussah or tusser silk.
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